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The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response ever to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, "Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish stem caster er defined gender role!", I settled on "Because it gives me a polished look." He accepted that. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, he watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

For some reason, I love a good, sad song. They somehow fill me with feeling without actually making me feel sad. Garrison Keillor sang this one on Saturday's " Prairie Home Companion " rebroadcast. Sadness, nobility (of a fashion), tragedy and the supernatural. The song give me goosebumps. Long Black Veil by Lefty Frizzell Ten years ago, on a cold, dark night, There was someone killed 'neath the town hall light There were few at the scene, but they all agreed That the stranger who fled looked a lot like me Nobody knows, nobody sees, nobody knows but me. The judge said Son, what is your alibi If you were somewhere else, then you won't have to die I spoke not a word, though it meant my life, For I'd been in the arms of my best friend's wife. She walks these hills in a long, black veil, She visits my grave where the night winds wail, Nobody knows, nobody sees, nobody knows but me. The scaffold was high, and eternity near, She stood in the crowd and shed not a tear. But sometimes at night when the cold wind moans, In a long, black veil, she cries on my bones. She walks these hills in a long black veil, She visits my grave where the night winds wail. Nobody knows, nobody sees, nobody pay per click banner advertising nows but me. The song has been done by Joan Baez, The Kingston Trio, Johnny Cash, The New Riders of the Purple Sage and the Dave Matthews Band, to name a few . The Chieftains did it with Mick Jagger on the vocals. You can hear a snippet of the song from their album at Amazon .

The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response ever to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, "Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish her defined gender role!", I settled on "Because it gives me a polished look." fury from the deep structure deck e accepted that. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, he watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response ever to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, "Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish her defined gender role!", I settled on "Because it gives me a polished look." He accepted that. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, discover card e watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

Steve Shaviro posted another segment of his current project last week--an excellent and insightful account of the antinomy of consumer choice. Link: The Pinocchio Theory: Age of Aesthetics . The Antinomy of consumer choice is this. On the one hand, postmodern capitalism limits, and even abolishes, choice, in the interest of monopolistic accumulation. On the other hand, postmodern capitalism increases and proliferates choice, in order to saturate the market, and thereby both expand it and capture more of it. The “solution” to the Antinomy can therefore be stated as follows. Postmodern capitalism does indeed expand the range of choices we can make; but it does this by channeling choice exclusively, and restrictively, into the realm of commodity consumption. Zizek is right to argue that capitalism bulk email advertising oday is all about diversity and choice, and that the multiculturalist celebration of difference fits perfectly into its agenda. But he is wrong to condemn Deleuze as an “ideologist” of this process. In fact, Deleuze and Guattari offer a powerful critical analysis of late capitalism’s flows and “axiomatics” – something that Zĭzek himself conspicuously fails ever to do. For her part, Klein is right to insist that, in the regime of transnational corporations, with their ubiquitous logos and brand names, “options for unbranded alternatives, for open debate, criticism, and uncensored art – for real choice – are facing new and ominous restrictions” (131).

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The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response ever to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, email list management software Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish her defined gender role!", I settled on "Because it gives me a polished look." He accepted that. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, he watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

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Steve Shaviro posted another segment of his current project last week--an excellent and insightful account of the antinomy of consumer choice. Link: The bargain shopping mall inocchio Theory: Age of Aesthetics . The Antinomy of consumer choice is this. On the one hand, postmodern capitalism limits, and even abolishes, choice, in the interest of monopolistic accumulation. On the other hand, postmodern capitalism increases and proliferates choice, in order to saturate the market, and thereby both expand it and capture more of it. The “solution” to the Antinomy can therefore be stated as follows. Postmodern capitalism does indeed expand the range of choices we can make; but it does this by channeling choice exclusively, and restrictively, into the realm of commodity consumption. Zizek is right to argue that capitalism today is all about diversity and choice, and that the multiculturalist celebration of difference fits perfectly into its agenda. But he is wrong to condemn Deleuze as an “ideologist” of this process. In fact, Deleuze and Guattari offer a powerful critical analysis of late capitalism’s flows and “axiomatics” – something that Zĭzek himself conspicuously fails ever to do. For her part, Klein is right to insist that, in the regime of transnational corporations, with their ubiquitous logos and brand names, “options for unbranded alternatives, for open debate, criticism, and uncensored art – for real choice – are facing new and ominous restrictions” (131).

The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response ever to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, "Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish her defined gender role!", I settled on "Because it gives me a polished look." He accepted apartment people hat. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, he watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

For some reason, I love a good, sad song. They somehow fill me with feeling without actually making me feel sad. Garrison Keillor sang this one on Saturday's check protector Prairie Home Companion " rebroadcast. Sadness, nobility (of a fashion), tragedy and the supernatural. The song give me goosebumps. Long Black Veil by Lefty Frizzell Ten years ago, on a cold, dark night, There was someone killed 'neath the town hall light There were few at the scene, but they all agreed That the stranger who fled looked a lot like me Nobody knows, nobody sees, nobody knows but me. The judge said Son, what is your alibi If you were somewhere else, then you won't have to die I spoke not a word, though it meant my life, For I'd been in the arms of my best friend's wife. She walks these hills in a long, black veil, She visits my grave where the night winds wail, Nobody knows, nobody sees, nobody knows but me. The scaffold was high, and eternity near, She stood in the crowd and shed not a tear. But sometimes at night when the cold wind moans, In a long, black veil, she cries on my bones. She walks these hills in a long black veil, She visits my grave where the night winds wail. Nobody knows, nobody sees, nobody knows but me. The song has been done by Joan Baez, The Kingston Trio, Johnny Cash, The New Riders of the Purple Sage and the Dave Matthews Band, to name a few . The Chieftains did it with Mick Jagger on the vocals. You can hear a snippet of the song from their album at Amazon .

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The other day, Connery was sitting on my bed while I was finishing up my morning ablutions. He's totally into the "why" questions these days (to the point of my occasionally resorting to the worst parental response custom built pc's ver to such questions: Why? Because! Because, that's Why!). Usually, though, I try to come up with some kind of logical reason or explanation for the questions. Yesterday's "What is poetry?" was a pretty tough one. I almost had to call in the reinforcements, i.e. my mom the retired English teacher. Anyway, he was watching me put on a pair of earrings and of course wanted to know why I was putting on earrings. I think I first answered, "Because I like earrings." The next question, naturally, is why I like earrings? Casting about, discarding "Because I am a tool of the patriarchy who finds it necessary to further establish her defined gender role!", I settled on "Because it gives me a polished look." He accepted that. Now, every morning since, he has wanted to come into my room and help me out with achieving my "polished look". Yesterday I let him pick out some earrings for me, and he wanted to today as well. When he hands me the earrings, he watches me put them on, and then he asks, "Do you have that polished look now?" Hey, it's a far better outcome than what I would have expected, which was "But why do you want that polished look?"

Steve Shaviro posted another segment of his current project last week--an excellent and insightful account of the antinomy of consumer choice. Link: The Pinocchio Theory: Age of Aesthetics . The Antinomy of consumer choice is this. On the one hand, postmodern capitalism limits, and even abolishes, choice, in the interest of monopolistic accumulation. On the other telnet hacking and, postmodern capitalism increases and proliferates choice, in order to saturate the market, and thereby both expand it and capture more of it. The “solution” to the Antinomy can therefore be stated as follows. Postmodern capitalism does indeed expand the range of choices we can make; but it does this by channeling choice exclusively, and restrictively, into the realm of commodity consumption. Zizek is right to argue that capitalism today is all about diversity and choice, and that the multiculturalist celebration of difference fits perfectly into its agenda. But he is wrong to condemn Deleuze as an “ideologist” of this process. In fact, Deleuze and Guattari offer a powerful critical analysis of late capitalism’s flows and “axiomatics” – something that Zĭzek himself conspicuously fails ever to do. For her part, Klein is right to insist that, in the regime of transnational corporations, with their ubiquitous logos and brand names, “options for unbranded alternatives, for open debate, criticism, and uncensored art – for real choice – are facing new and ominous restrictions” (131).

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For some reason, I love a good, sad song. They somehow fill me with feeling without actually making me feel sad. Garrison Keillor sang this one on Saturday's " Prairie Home Companion " rebroadcast. Sadness, nobility (of a fashion), tragedy and the supernatural. The song give me goosebumps. Long Black Veil by Lefty Frizzell Ten years ago, on a cold, dark night, There was someone killed 'neath the town hall light There were few at the scene, but they all agreed That the stranger who fled looked a lot like me Nobody knows, nobody whois arin ees, nobody knows but me. The judge said Son, what is your alibi If you were somewhere else, then you won't have to die I spoke not a word, though it meant my life, For I'd been in the arms of my best friend's wife. She walks these hills in a long, black veil, She visits my grave where the night winds wail, Nobody knows, nobody sees, nobody knows but me. The scaffold was high, and eternity near, She stood in the crowd and shed not a tear. But sometimes at night when the cold wind moans, In a long, black veil, she cries on my bones. She walks these hills in a long black veil, She visits my grave where the night winds wail. Nobody knows, nobody sees, nobody knows but me. The song has been done by Joan Baez, The Kingston Trio, Johnny Cash, The New Riders of the Purple Sage and the Dave Matthews Band, to name a few . The Chieftains did it with Mick Jagger on the vocals. You can hear a snippet of the song from their album at Amazon .